Though not interested in becoming a voice teacher, it was her own teacher who insisted she start passing on the practical vocal knowledge she had gained from her broad range of experience. Thus, while pursuing her own singing career, she found that her biggest talent lay in helping others find their own voices.

Her ability to articulate simply and clearly the principles of free efficient sound production has been equally successful with singers, actors, and dancers. They have found that her approach has enabled them to use their voices more effectively and consistently in a short period of time, whether it is to meet the demands of Broadway musicals, TV and film, or rock and roll. See some of her past and present students.

She has served on the Board of Directors of the New York Singing Teachers' Association (NYSTA), the oldest organization of singing teachers in the US, and is a member of The National Association of Teachers of Singing (NATS). In addition, for fifteen summers she served on the faculty of The Broadway Theatre Project.

She teaches privately and presents master classes on vocal technique in America, Japan, and Australia. She belongs to the performing unions Actors Equity, SAG, AFTRA, and AGVA.